Rosana Paulino, A Geometria à brasileira chega ao paraíso tropical, 2018. Inkjet print, collage, and monotype on paper. 18 7/8 × 13 in. (48 × 33 cm) unframed. Courtesy of Mendes Wood DM, Brussels, New York, São Paulo.
Rosana Paulino, A Geometria à brasileira chega ao paraíso tropical, 2018. Inkjet print, collage, and monotype on paper. 18 7/8 × 13 in. (48 × 33 cm) unframed. Courtesy of Mendes Wood DM, Brussels, New York, São Paulo.
Rosana Paulino, Assentamento no. 2, 2012–2013. Color lithograph on paper. 30 × 22 1/4 in. (76.2 × 56.5 cm) unframed. Collection of Professor Lorraine Leu, Austin.
Rosana Paulino, Assentamento no. 3, 2012–2013. Color lithograph on paper. 30 × 22 1/4 in. (76.2 × 56.5 cm) unframed. Private collection, Austin.
Rosana Paulino, Atlântico Vermelho, 2017. Inkjet print, sewn thread, and collage on fabric. 77 3/8 × 51 3/16 × 2 9/16 in. (196.5 × 130 × 6.5 cm). Collection of the Pinacoteca do Estado de São Paulo. Donated by Collection of Fernando Assad Abdalla.
Rosana Paulino, Búfala e senhora das plantas, 2021. Offset artist book. 11 7/16 × 9 1/16 × 5/16 in. (29 × 23 × 0.8 cm). Visual Arts Center Collection, University of Texas at Austin.
Rosana Paulino, Paraíso tropical, 2017. Inkjet print, collage, and linoleum block print on paper. 18 7/8 × 13 in. (48 × 33 cm) unframed. Courtesy of Mendes Wood DM, Brussels, New York, São Paulo.
Rosana Paulino, Paraíso tropical, 2017. Inkjet print, collage, and linoleum block print on paper. 18 7/8 × 13 in. (48 × 33 cm) unframed. Courtesy of Mendes Wood DM, Brussels, New York, São Paulo.
Rosana Paulino, Sem título, da série “Jatobá”, 2019. Watercolor and graphite on paper. 25 9/16 × 19 11/16 in. (65 × 50 cm) framed. Collection of Fairfax Dorn, New York.
Rosana Paulino, Sem título, da série “Jatobá”, 2019. Watercolor and graphite on paper. 25 9/16 × 19 11/16 in. (65 × 50 cm) framed. Collection of Fairfax Dorn, New York.
Rosana Paulino, Tecelãs, 2003. Faience, terracotta, cotton and synthetic thread. Approximately 100 pieces, dimensions variable. Collection of Inhotim Institute, Minas Gerais.
Rosana Paulino, Tecido Social, 2010. Monotype and sewn thread on fabric. 90 9/16 × 114 15/16 in. (230 cm × 292 cm). Courtesy of Mendes Wood DM, Brussels, New York, São Paulo.
Rosana Paulino (b. 1967, São Paulo, Brazil) lives and works in São Paulo, Brazil. She received a BA in visual art from Universidade de São Paulo (1995), a specialization in engraving from the London Print Studio (1998), her doctorate in Visual Arts from the School of Communications and Arts at the Universidade de São Paulo (2011), and a residency focused on lithography at the Tamarind Institute, New Mexico (2022). Paulino has had solo exhibitions at Mendes Wood DM, Brussels (2022); Museu de Arte do Rio, Rio de Janeiro (2019); The Frank Museum of Art, Otterbein University, Ohio (2019); Pinacoteca do Estado de São Paulo (2018); Museu de Artes Visuais da Unicamp, Campinas (2018); Senac, São Paulo (2017); and Empresa de Gestão de Equipamentos e Animação Cultural, Lisbon (2017); among others. Her work has been included in group exhibitions at the 59th International Biennale di Venezia (2022); DePaul Art Museum, Chicago (2022); Museu de Arte de São Paulo, São Paulo (2022); Centro Cultural Banco do Brasil, Rio de Janeiro, São Paulo, Brasília, and Belo Horizonte (2022); Public Art Foundation, New York, Boston, and Chicago (2022); National Gallery of Art, Washington DC (2021); Museu Judaico de São Paulo (2021); Instituto Moreira Salles, São Paulo (2021); Museu de Art do Rio, Rio de Janeiro (2020); Sesc Pinheiros, São Paulo (2020); Mana Contemporary, Chicago (2020); Kunstverein Hannover (2020); and Sydney Biennial (2020); among others. She was a Ford Foundation Fellow (2006–2008) and received a CAPES (Coordenação de Aperfeiçoamento de Pessoal de Nível Superior) grant (2008–2011). In 2014, she was the recipient of a Rockefeller Foundation scholarship for a residency at the Bellagio Center in Bellagio, Italy.